Russia Culture and Art   Art workers   Composers
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Alyabiev A. A.
Borodin A. P.
Chaikovsky P. I.
Dargomyzhsky A. S.
Glazunov A. K.
Glier R. M.
Glinka M. I.
Grigorovich Yu. N.
Gubaidulina S.
Khachaturyan A. I.
Markevitch I.
Mussorgsky M. P.
Prokofiev S. S.
Rakhmaninov S. V.
Rimsky-Korsakov N. A.
Shostakovich D. D.
Slonimsky S.
Stravinsky I. F.
Telnikoff A.
Zhurbin A.
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Glier R. M.

Glier R. M.Reinhold Moritsevich Glier

Glier - composer, conductor, teacher. The national actor of the USSR (1938).

Born January 11, 1875 in Kiev. Died June 23, 1956 in Moscow.

Glier studied at the Moscow Conservatory until 1900 with Hrimaly for the violin, Taneyev, Arensky, Konyus and Ippolitov-Ivanov for theory and composition.
From 1920 -1941 was a professor of composition at the conservatory, where his pupils included Davidenko, Novikov, & Rakov among others.
Glier was also chairman of the USSR Composers' Union (1938-1948). He received several State Prizes (1942,1946,1948,1950) and held the title of People's Artist of the USSR in 1938, the RSFSR, the Uzbek SSR and the Azerbaijani SSR.
His students included A. and B. Aleksandrov, Bagrinovsky, Bruk, Bugoslavsky, Davidenko, Fere, Frolov, N. Golubev, Gozenpud, Gunst, A. Khachaturian, Klyucharyov, Knipper, Liatoshinsky, Miaskovsky, Prokofiev, Rakov and many others.

His most popular works include "The Red Poppy" and "The Bronze Horseman". His Harp Concerto is among the finest concertos for this instrument.

Glier was a direct heir to the Russian Romantic tradition, working on a grand scale in the large forms (opera, ballet, symphony, and symphonic poem). He formed a link between the Tchaikovsky/Taneyev scholl and the next generation of Russian/Soviet composers, including Prokofiev, Miaskovsky and A. Khachaturian.
His symphonic works draw on the Russian tradition of Borodin and Glazunov. This is especially clear in his Third Symphony 'Il'ya Muroments', named after a Russian folk hero, but all his symphonies, concertos and symphonic poems show a monumentality of image and a brilliant aural imagination.
His interest in the music of the Ukrainians and in Eastern music led him to write stage works based on the folk culture of the Soviet republics of the Transcaucasus and Central Asisa; in this he was a pioneer. His works in this regard stimulated the development of professional music in the eastern republics.

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